Feminism and Technoscience
Call for papers – deadline December 31, 2018
Call for papers – deadline December 31, 2018
Plenary Opening Session
RSACS President, President of the Journalism Department,
Lomonosov Moscow State University, Russia
American Language: A Project of the 18th Century by Jonathan Edwards
Section 1: Journalism
Coordinator Professor Yassen Zassoursky
(Lomonosov Moscow State University, Russia)
December 6, Thursday, 10 am – 12 am room 217
Lomonosov Moscow State University, Russia
American-European Cultural Links in the Programs of the Voice of America
The topic of cultural relations has been and remains one of the main subject in the programs of the oldest international radio station in the United States, rising throughout the history of the work of the broadcaster. It is about the deep interrelation of cultures of the former colony and the countries of Europe, contacts of cultural figures and ordinary citizens. Such contacts contribute to the establishment of mutual understanding in the international arena. These programs have long been remembered by listeners.
|December 5, Wednesday|
|18. 00 - 19.00||Opening Plenary session||103|
|19.00 - 20.00||Tea and Pirozhki||217|
|December 6, Thursday|
|10.00-12.00||Section 1. Journalism|
Round Table on Midterm Elections
|13.00-14.00||Excursion to Maxim Gorky museum|
|16.00-19.00||Section 3. Contemporary American Culture||217|
|16.30-18.30||Section 2. American Culture of the 17-19 Centuries||333|
|December 7, Friday|
|10.00 – 12.00||Round Table Discussion|
Imprints: Image of America and Image of Russia
|12.00 - 15.00||Lunch break|
|15.00 - 18.00||Section 6. Fantastic in the Arts||217|
|December 8, Friday|
|10.00 – 13.30||Section 4. Ethnic Aspects of American Culture||103|
|13.30 - 14.00||Lunch break|
|14.00 - 18.00||Section 5. Gender Aspects of American Culture||103|
|18.00 - 19.30||Closing session||103|
|20.00 - 21.00||Farewell dinner||Cafe Paul Bakery|
The Terra Foundation for American Art International Essay Prize recognizes excellent scholarship by a non-U.S. citizen working in the field of historical American art. Manuscripts should advance the understanding of American art by demonstrating new findings and original perspectives. The prize winner will be given the opportunity to work toward publication in American Art, the peer-reviewed journal copublished by the Smithsonian American Art Museum and the University of Chicago Press. The winner will receive a $1,000 cash award and a travel stipend of up to $3,500 to give a presentation in Washington, D.C., and meet with museum staff and research fellows.
Eligibility Requirements: Authors must be non-U.S. citizens who have achieved doctoral candidacy or completed a doctoral degree (or the equivalent), and have not previously had a manuscript accepted for publication in American Art. Essays may focus on any aspect of historical (pre-1980) American art and visual culture; however, architecture and film studies are not eligible. Essays may be submitted in any language; abstracts must be submitted in English.
Submissions for the 2019 prize must be sent to TerraEssayPrize@si.edu by January 15, 2019. For information on the prize, available in Chinese, English, French, German, Italian, and Spanish, please consult AmericanArt.si.edu/research/awards/terra.
Since the deadline for applications is November 30, 2018, we would like to remind you that the Graduate School of North American Studies (GSNAS) at Freie Universität Berlin will award
six three-year doctoral grants (1,350 EUR/month) and additional doctoral memberships (starting date: October 1, 2019) to students pursuing a doctoral project related to North America in Cultural Studies, History, Literary Studies, Economics, Political Science or Sociology.
Further details on our application platform and the deadline can be found on the attached posters and our website at gsnas.fu-berlin.de/en
Modern media culture is comprehensive, responding to the basic mass audience need in entertainment. The entertainment component is actively being introduced into the different spheres of media space, transforming traditional media formats. American journalism provides a lot of materials for analyzing various manifestations of comic forms. We could mention the musical and humorous program “Saturday Night Live” on the NBC channel, parodying political elite and received a TV Emmy award this year.
In the “Journalism” section 7 reports were made (out of 9 applications). Several reports were devoted to the genre peculiarity of the embodiment of the comic. Karine Chobanyan turned to the satiric rubric “RedicuList” of the information program “Anderson Cooper 360” on the CNN channel and defined it as an “informational feuilleton”. Svetlana Kanashina settled on the genre nature of popular Internet memes. She stressed the syncretic: textual and graphic components that outplaying the cliches of the American mass consciousness.
In the center of the next two reports was the figure of the USA President Donald Trump. Elena Pavlova emphasized the following important point: Trump appearance on the political arena marked a departure from the discourse of political correctness prevailing over the past decades. Annihilating irony and sarcasm were played a special role in departing from this established practice of public internal political polemics. In the Valery Terin message there was a thought that through Twitter Trump proposed a new type of electronic communication, different from the linear sequence of typographic culture.
The Nikolai Zykov report filled the usually vacant niche. It was dedicated to the “The Voice of America” broadcasting, combining literary and political humor.
Finally, two more reports were devoted to the print press. It is noteworthy that the appeal to the press was brought to the historical context. Yekaterina Zagvozdkina spoke about the ironic coverage in the late 1950s and early 1960s press the image of the “broken generation”, who had denied traditions and social norms.
In Yuliya Balashova report were determined the main stages of the American almanacs evolution, with their satirical variety accentuation. American almanacs developed mainly within the framework of popular and mass culture, invariably retaining their calendar prototype. Such diverse presidents of the United States, like Franklin Roosevelt, and then Richard Nixon, addressed the satirical almanac-calendar form, for the purpose of political PR.
Galina Lapshina summed up a certain result, drawing attention to the points of convergence of American and Russian culture.
A Workshop Jointly Sponsored and Organized by the Obama Institute for Transnational American Studies and the Society of Early Americanists October 4-6, 2018 Johannes Gutenberg University, Mainz, Germany
Please email the following materials to the Workshop Chair, Prof. Oliver Scheiding (firstname.lastname@example.org) as PDF attachments byFebruary 15, 2018:
Workshop acceptances will be sent out by March 15, 2018.
Details in the attached document
The XLIII International conference of the Russian Society of American Culture Studies will be held December 7-9, 2017 at Lomonosov Moscow State University Journalism Department. Its theme – “American Satire and Humor: Forms of Comic Expression in American Culture”.
Sections: Journalism, American Culture of the 17-19th Centuries, Contemporary Literature and Culture, Ethnic Aspects, Gender Studies, Fantastic in the Arts, Canadian perspectives. A traditional Round Table discussion: Imprints – Image of America and Image of Russia will be held and a Round Table dedicated to Henry Thoreau’s Bicentennial.
Official languages of the conference are English and Russian. All participants will understand papers given in English and will provide an English resume of their talk if given in Russian.
Deadline for abstracts – September 10, 2017 (half a page). Please send them all to email@example.com
On the basis of delivered and discussed papers an annual bilingual collection is published.
Information about visa support: As it is a lengthy process – please send the needed materials [copy of two first pages of passport and info on place of birth (city and country), affiliation and position, office address, phone and fax numbers, place of visa application, dates of arrival and departure, place of visa application] to the address firstname.lastname@example.org no later than September 15, 2017.
This essay discusses the literary representations of the black Amerasian experience in Korea. It first studies a late-1920s novella that featured the first black-Korean character and foreshadowed the major issues facing black Amerasians in later Korean and Korean American narratives published from the mid-1950s. By putting Korean-language narratives into direct dialogue with their Anglophone counterparts, this transpacific study argues that the texts in Korean and English are complementary to each other and help piece together the diverse aspects of black Amerasian experience in Korea told from the two perspectives, Korean and Korean American. Both Korean and Korean American narratives portray black Amerasians fundamentally as the unfortunate victims of androcentrism, patriarchy, ethnonationalism, militarism, neo-imperialism, and racism. Yet there is a signal difference between the two literatures: whereas Korean narratives focus on black Amerasians’ discrimination and ostracization by Koreans, Korean American narratives highlight white racism in U.S. military facilities and criticize U.S. legal barriers and immigration policy against (black) Amerasians.
Here you can see the full text of the article provided by the author: